I’ve been given the Janet Arnold Award by the Society of Antiquaries to recreate clothing described in the Tudor song, Greensleeves.
Really excited to be working on this project with a team of superb costume historians.
Among other things, there will be a video to come in the future, and a book about Greensleeves & early modern clothing in music and song, but in the meantime, here is our recording of the words and music… https://www.youtube.com/watch?v=pej-PqWDJ4U&ab_channel=Passamezzo
My Little Sweet Darling
An anonymous Tudor lullaby (sometimes attributed to William Byrd.)
The song is found in multiple sources, and may originally have been sung in “A tragedy called Oedipus,” an Elizabethan translation of a Latin play by Seneca.
In Tudor and Stuart times, gifts were given at New Year rather than at Christmas.
Here is a musical New Year's Gift. It's an anonymous 17th Century dance of that name from Thomas Middleton's Inner Temple Masque, or Masque of Heroes, 1619.
From BL Add. 10444
Alison Kinder: bass viol
Tamsin Lewis: violin
A Tudor Christmas Carol
As I outrode this enderes night.
From the Pageant of the Shearmen and Tailors, one of the Coventry Mystery Plays.
[The better known 'Coventry Carol', "lully lulla, thou little tiny child" comes from the same source.] https://www.youtube.com/watch?v=39AA6kFmpWY&ab_channel=Passamezzo
THE GREATEST ELIZABETHAN MYSTERY—who killed Amy Robsart, wife of the Queen’s favorite, Robert Dudley?—explored in this intriguingly framed novel that breathes new life into a much-told story. Richly envisioned. B PLUS
Today's video was one of the last things that we did before lockdown in March 2020... It was filmed in the Great Watching Chamber at Hampton Court Palace, while preparing a section on Elizabethan music for Historic Royal Palace's Futurelearn course on Tudor entertainment.
Augustine Bassano: Pavan
From Egerton MS 3665
Robin Jeffrey: lute
Tamsin Lewis: renaissance violin
With its haunting melody, and the romantic myth that it was written by #HenryVIII as a love song for #AnneBoleyn, Greensleeves has remained popular over the centuries and today, is probably the best known of all #Tudor#songs.
However there is no proven connection to Henry VIII, and the earliest mention of the broadside ballad called #Greensleeves was not until September 1580, (some 33 years after his death). It was an immediate hit, and a number of imitations and parodies were produced in the following months and years.
Our recording uses the text from 'A Handful of Pleasant Delights', 1584 - the earliest surviving source. There are many verses, some of which contain lovely descriptions of #Elizabethan clothing and other aspects of #MaterialCulture
Two anonymous 17th Century ballads describing the purported evil deeds of Richard III, the murder of the Princes in the Tower, and the Battle of Bosworth Field, which was fought #onthisday in 1485.
A good example of Tudor propaganda.
A song of the Life and Death of King Richard the Third (to the tune of Who list to lead a soldier's life)
and
The most cruel murther of Edward the fifth, and his brother Duke of York, in the Tower; by their Uncle Richard Duke of Gloucester (to the tune of Fortune my foe)
From Richard Johnson's ballad miscellany, The Golden Garland of Princely Delights, 1620
What meat eats the Spaniard?
An anonymous #Elizabethan#theatre#song about eating too much fish!
From Blurt Master-Constable. Or The Spaniards night-walke.
[Attributed to] #Middleton and #Dekker 1602.
My research explores the eroticization of Tudor queens in a range of popular genres, from #earlymodern letters and plays, to tv and #fanfiction today. I also consider the affordances and limitations of color-conscious #casting in #perioddrama.