SJLahey , to BookHistodons group
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14 May 1761: The Halifax Gazette () ran the 1st advertisement of bookseller James Rivington (1724–1802) of London, UK, who had opened ’s 1st retail bookshop in Halifax “next Door to Mr. Manning nigh the [Grand] Parade”.
@bookhistodons @histodons

scotlit , to LitStudies group
@scotlit@mastodon.scot avatar

The Scottish Novel in 1824
1 July, University of Edinburgh – free

This one-day in-person symposium marks the bicentenary of 1824, an ‘annus mirabilis’ in the history of Scottish fiction that saw the publication of two experimental masterpieces: James Hogg’s The Private Memoirs & Confessions of a Justified Sinner, & Walter Scott’s Redgauntlet.

@litstudies

https://www.eventbrite.co.uk/e/the-scottish-novel-in-1824-tickets-873941782397

SJLahey , to BookHistodons group
@SJLahey@mastodon.social avatar

Some : French lawyer & author Marc Lescarbot (d.1641) (‘ML’) had a client involved in an expedition to Acadia, New France. He invited ML, who accepted. 1606 July: They reached Port Royal (now in )… with ML’s in tow: the 1st known library* in what is now .

  • Depending on your definition of ‘library’, of course. Let’s say, ‘Lescarbot’s books are regarded as the first known collection of European-style codices in what is now Canada’.
    @bookhistodons
CitizenWald , to BookHistodons group
@CitizenWald@historians.social avatar

beautiful bit of book history:

florid poem by Col. J. J. von Scheler in honor of the 54th birthday [when you're an enlightened despit, it doesn't have to be a round number] of Duke Carl Eugen of Württemberg
Small folio from the presses of Court Printer Christoph Friedrich Cotta the elder, Stuttgart


@bookhistodons

CitizenWald OP ,
@CitizenWald@historians.social avatar

Among the beauties of traditional printing, as book historians know, are the distinctive character and robust materiality.
Note here, the tactile quality of the rag paper (photo 1), the deep impression of type and ornament (2) and the way the border is assembled from individual ornamental pieces (3)

@dbellingradt may appreciate this


@bookhistodons

impression of title letters and title page ornament showing through on second page
small barely perceptible breaks in the ornamental border show how it was assembled from individual pieces of type

SJLahey , to BookHistodons group
@SJLahey@mastodon.social avatar

in 6 May 1236: Death of Roger of Wendover, Benedictine monk & 1st of a series of important chroniclers at St Albans. His best-known chronicle, Flores historiarum, survives in 2 —including the 1 shown in the 📷—& an edition in Matthew Paris’ (c.1200–1259) Chronica majora.
@bookhistodons @medievodons

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  • SJLahey , to BookHistodons group
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    in : Happy birthday to the French publisher Louis Christophe François Hachette (1800 May 05–1864 Jul 31), founder of @HachetteLivre (estab. 1826). Initially called Brédif, the company became L. Hachette et Compagnie on 01 Jan 1846.

    @bookhistodons

    SJLahey , to BookHistodons group
    @SJLahey@mastodon.social avatar

    in : Death of Eleanor Sleath (1770 Oct 15–1847 May 05), best known for her 1798 novel The Orphan of the Rhine, listed as one of the 7 ‘horrid novels’ recommended by Isabella Thorpe in Jane Austen’s Northanger Abbey.
    (‘The Northanger Horrid Novels’ were believed to be of Austen’s own invention until Montague Summers began publishing on the seven, refuting the denial of their existence. Other scholars soon followed suit.)

    @bookhistodons

    bibliolater , to History
    @bibliolater@qoto.org avatar

    Seeing Dante’s Commedia in Print from the Renaissance to Today

    "An intensely envisioned journey through the three realms of the Christian afterlife (Inferno, Purgatory, and Paradise), Dante’s poem, written in the early 1300s, was the subject of vivid illustrations from its earliest circulation and, when book making transitioned into the new medium of print in the late 1400s, Dante’s poem became the source of inspiration for new visual traditions."

    https://historyofthebook.mml.ox.ac.uk/seeing-dantes-commedia-in-print-from-the-renaissance-to-today/

    @bookstodon

    WerkstattGeschichte , to BookHistodons group German
    @WerkstattGeschichte@openbiblio.social avatar

    Am heutigen greifen wir zu unserem Heft 86/2022 mit Thementeil "papierkram", hg. von Michaela Hohkamp; darin u.a. Beiträge zu im um 1800 (Charlotte Zweynert) und zum Verschwinden der aus modernen (Wilfried Enderle @subugoe):
    ▶️ https://werkstattgeschichte.de/alle_ausgaben/papierkram/

    @bookstodon @histodons @bookhistodons @historikerinnen

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  • dbellingradt , to History
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    This is just a reminder that, in 1631, Robert Barker in London misprinted a famous line of the Holy Bible, namely „Thou shalt commit adultery“.

    The forbidden copies with the famous slip sold well, and a few survived in our catalogues. The edition was called the Wicked Bible afterwards.

    bookandswordblog , to Random stuff
    @bookandswordblog@scholar.social avatar

    Erik Kwakkel has a classic post on silk needlework repairs to medieval parchment manuscripts https://medievalbooks.nl/2014/10/24/feeling-good-about-bad-skin/

    dbellingradt , to History German
    @dbellingradt@historians.social avatar

    And this happens when fingers that were used to hold down a book's page to be scanned were captured, and a software "repairs" this space automatically afterwards. In short: the scanned image is corrected by filling the problematic space with new content. In this case, this filling didn't fit too well: you see a "en=" text part from a different print, and some very bad pixel space. Welcome to the complex digital narrative of old printed books.

    dbellingradt , to Random stuff
    @dbellingradt@historians.social avatar
    overholt , to Random stuff
    @overholt@glammr.us avatar

    The new online exhibition “Judging a Book by Its Cover” highlights bindings from the Grolier Club library (and I’m excited to see it in person next week during Bibliography Week.) https://grolierclub.omeka.net/exhibits/show/judging-a-book-by-its-cover

    An enameled binding for namesake Jean Grolier
    A 17th century English book of psalms in an embroidered binding
    Varnished and beveled papier-mâché exuberantly decorated black panels

    dbellingradt , to histodons group German
    @dbellingradt@historians.social avatar

    "I am still reading the book ..." @histodons @bookstodon

    wvmierlo , to bookstodon group
    @wvmierlo@zirk.us avatar

    Forgeries are a common topic in book history, but what about fraudulent claims about copyright ownership?

    Simon Kövesi | John Clare out of Copyright https://www.lrb.co.uk/blog/2024/january/john-clare-out-of-copyright
    >‘It was not very manly of you to evade telling me what you had been up to when we met today,’ the late Eric Robinson...

    @bookstodon

    dbellingradt , to History German
    @dbellingradt@historians.social avatar

    This is highly useful if you work with books of all kinds: a compiled and explained set of contemporary . From apothecaries' weights to signs for half moon moments in almanacs. Boost, and looking for abbreviations of the past. @histodons

    The "Falttafel" of 1782 is part of a book titled "Sammlung verschiedener nützlicher Lesübungen..." (VD18 12041491-001), and can be found here between pp. 151 and 152: https://www.bavarikon.de/object/bav:UBA-HSB-00000BAV80014690

    The "Falttafel" of 1782 is part a German book titled "Sammlung verschiedener nützlicher Lesübungen..." (VD18 12041491-001), and can be found here between pages 151 and 152: https://www.bavarikon.de/object/bav:UBA-HSB-00000BAV80014690

    wvmierlo , to bookstodon group
    @wvmierlo@zirk.us avatar

    Always nice to hold a new publication in your hand.

    "Genetic Criticism and Modern Palaeography: The Cultural Forms of Modern Literary Manuscripts"

    @bookstodon

    dbellingradt , to histodons group German
    @dbellingradt@historians.social avatar

    The moment a librarian with a stamp in Wolfenbüttel heard about the trend of Indoor Flowering Plants, he knew what to do...

    Details of the stamped title page of the copy of "Een schoon liedekens" from 1544.

    @histodons

    dbellingradt , to Random stuff German
    @dbellingradt@historians.social avatar

    Here is a small printed "s" waiting to become an illuminated initial in a print from 1503. The small "s" indicates: please include a colored big "S" after the print run. The reason for this: early printed books in Europe, around 1500, kept this illuminating tradition from the manuscript age - the book makers imitated the layout rules of scribal handwriting for decades.
    The images show an unfinished and finished initial of the same page from a different copy. for the win.

    Detail from a page from "Philelphus, Franciscus: Epistolarum D. Francisci philelphi equitis aurati oratorisque ac poete tam grece quam latine lingue peritissimi unus et viginti libri reliqui qui post sedecim sunt reperti" (https://www.digitale-sammlungen.de/de/view/bsb10159044?page=20,21 ). The initial "S" has been drawn on top of the small printed "s".
    Page of "Epistolarum D. Francisci philelphi equitis aurati|| Oratorisq[ue] ac poet[a]e ta[m] gr[a]ec[a]e q[uam] latin[a]e lingu[a]e peri||tissimi: vnus et viginti libri reliqui qui post sede-||cim sunt reperti." (https://sammlungen.ulb.uni-muenster.de/hd/content/titleinfo/6526468 ). In the upper left corner you see the space left for the initial "s".
    Page from "Philelphus, Franciscus: Epistolarum D. Francisci philelphi equitis aurati oratorisque ac poete tam grece quam latine lingue peritissimi unus et viginti libri reliqui qui post sedecim sunt reperti" (https://www.digitale-sammlungen.de/de/view/bsb10159044?page=20,21 ) showing the initial "S" been drawn on top of the small printed "s".

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  • ModernDayBartleby , to bookstodon group
    @ModernDayBartleby@mstdn.plus avatar

    And so it begins -
    PASSING by Nella Larsen (1929) via Oshun Publishing imbibed at Yanaka Coffee
    @bookstodon

    ModernDayBartleby OP ,
    @ModernDayBartleby@mstdn.plus avatar

    TO MAKE NEGRO LITERATURE: WRITING, LITERARY PRACTICE, & AFRICAN AMERICAN AUTHORSHIP by Elizabeth McHenry via @dukepress brewed with Philz Coffee Philtered Soul Blend

    @bookstodon

    sapiens , to History
    @sapiens@universeodon.com avatar

    THE ART OF READING IN THE MIDDLE AGES
    https://www.medieval-reads.eu/

    "The project ‘The Art of Reading in the Middle Ages’ will show the importance of medieval reading culture as a European movement by bringing together (digitised) manuscripts produced between c. 500 and c. 1550 from across Europe, unlocking their educational potential by curational and editorial enrichment, using innovative ways for displaying and handling digital objects in an educational context."

    ClaireFromClare ,
    @ClaireFromClare@h-net.social avatar
    scotlit , to History
    @scotlit@mastodon.scot avatar

    Two known readers in Early Modern Scotland: William Scheves & George Buchanan
    14 Dec, Edinburgh & online: free

    Francesca Pontini – a postgraduate student at the University of Stirling – looks at reading habits of 2 Scots

    @litstudies

    https://www.eventbrite.co.uk/e/francesca-pontini-two-known-readers-in-early-modern-scotland-tickets-720342964197

    dbellingradt , to histodons group German
    @dbellingradt@mastodon.social avatar

    There is a paper story to this painting from 1672 waiting to be told. Meet Jan Berckheyde's "A Notary in His Office" highlighted in 5 steps - a thread for friends of and of , and for in general. Expect a view into the inky paper states of Europe, a paper age dealing also with waste papers, fresh paper sheets waiting to be used, a high paper demand, and some document bags literally full of used papers. Let's roll @histodons

    1/6

    The 1672 painting A Notary in His Office from Jan Berckheyde is shown. A notary is sitting at his writing desk, and is surrounded by various paper products.

    dbellingradt OP ,
    @dbellingradt@mastodon.social avatar

    @histodons A closer look at every administrative activity of the period offers stored and waiting fresh paper sheets. Yet unused artifacts in different trading units of the paper trade: As detail no. 4 shows, you could buy paper as single sheets or in units up to 500, in the preferred format, quality and size, by the way.

    And how did all these waiting papers get into the many secretaries? Well, ask the paper trade: https://brill.com/edcollbook/title/56966

    5/6

    The painting A Notary in His Office from Jan Berckheyde is shown. A notary is sitting at his writing desk, and is surrounded by various paper products. Highlighted are 5 of these paper products.

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